Today I am looking out my window at the
grey sky, some intermittent streaks of snow, and the brown/gray/olive
drab/ocher vegetation that stretches across the swamp outside my
window. I love brown, wet landscapes, fuzzy indistinct masses, things
that are half seen and obscured by distance and a lattice of
branches. I don't know why. My task today is to find out why, by
sketching in oil this thing that I love, to do a simple sketch, not a
grandiose operatic scale mural, just a small sketch of honest
reaction to what is there. I'm thinking that tomorrow, I will begin
again and do another. I will remember how to work the paint, how to
mix the colors, how to set up the gear. It is, in many ways, a dry
run for working outside in the “great out of doors”, this set up. In the process, I found a 140ml tube of titanium white I had
forgotten I had and realized my French easel did not have
paintbrushes in it. It took me 40 minutes to figure out how the
palette extension attached. But here I am, beginning again, trying to
remember why I am an artist, what it was that fascinated me, captured
me, about paint, and to forgive myself for my failings, for not being
everything I want to be, for betraying the very thing I love by not
spending yet more time at it for little or no reward and forgiving
the world for not knowing that I am here and giving me my due.
This blog is for Victoria Haskell, fine artist and is about the process of painting and the progress I make in addressing various elements of design, technique, and meaning.
Tuesday, February 2, 2016
Beginning Again
Thich Nhat Hanh has quite a bit written
on this topic, beginning again. If memory serves me, he uses it in
reference to relationships, to forgiving others, setting aside the
past, and beginning again. It's about being open, loving, available.
We need some of this as we approach our art work also. We need to
take the time to set aside our failures, burning them if we need to,
and start again, to rediscover our path, to recover what it was about
art that brought us to it in the first place.
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